Performances and Events at the Hearsay Exhibition and The Bison’s Behind

On Wednesday, January 10th, at 8:00 PM, two sound performances will take place in The Rain Machine No. 6.
Max Turbo, an experimental music artist, fills the room with dense layers of coarse and poetic noise, expressing a performative approach reminiscent of a rock star emerging from underground passages, playing the trumpet and roaring in a ritualistic voice.
Following him, Roni Hagag, a versatile artist and musician, similarly approaches visual material and utilizes sound in its raw forms. Haggai plays on analog and digital synthesizers, creating compositions that are intuitive abstractions with tribal/techno/dance motifs, featuring internal narratives reflecting the spaces in which they unfold.
Rain Machine No. 6 by David Lemoine (1978, France-Tel Aviv) is part of a series of artificial rain environments that generate ambient white noise. The work is based on and explores the mental impact that white noise has on consciousness.

In the Hearsay exhibition, scenography creates a melancholic and romantic atmosphere, functioning as a space for performances in an urban rainy setting. While the audience hides under open umbrellas, musicians appear within an illuminated cage at the center of the space.
The performance will start exactly at 8:00 PM, and starting from 7:00 PM, visitors can wander through the exhibitions.